|Name:||Mr. Gregory Carr|
|Department:||College of Arts and Sciences|
BFA Theatre Tarkio College (1987)
MFA Theatre University of Illinois Urbana-Champaign (1990)
Introductory Public Speaking
English Composition I
English Composition II
Introduction to Philosophy
Major British Writers
|Publications:||Sacred Conflicts: Plays from the Religious Arts Festival. Catholic University of America. CUA Drama, 2004.
"Top Brass: Theatricality, Themes and Theology in James Weldon Johnson’s God’s Trombones," Theatre Symposium 21: Ritual, Religion, and Theatre. University of Alabama Press, 2013.
Truth or Consequences: Navigating Social Networking Websites
Speech 101: Overcoming Speech Anxiety
Conversations With a King. A one-man show featuring the life and works of Martin Luther King, Jr.
"Three Fridays in August: Examining the Dynamic of Black Male Bonding Relationships at Play in August Wilson’s Fences," National Association of African American Studies, Baton Rouge, LA (2009).
"The Cycle of Memory: The Effects of Post-Traumatic Slavert Syndrome on the Characters of The Piano Lesson," Harris-Stowe State University (2010).ory
"Forged of Fire and Iron: Conceptualizing Afrofuturism in August Wilson’s Joe Turner’s Come and Gone." (2011)
"From Bolas to Borges: The Influence of Jorge Luis Borges on August Wilson's Joe Turner's Come and Gone," Harris-Stowe State University Hispanic Heritage Month. (2012)
"Top Brass: Theatricality, Themes and Theology in James Weldon Johnson’s God’s Trombones,"SETC Theatre Symposium, Wilmington, NC (2012).
"Fences: Building Commercial Success One Plank at a Time,"SETC Theatre Symposium, Decatur, GA (2013).
"Crowning the Queen of Happiness: Examining the Theatrical Pedigree of Child Prodigy Florence Mills." SETC Theatre Symposium, Decatur, GA (2014).
"An Echo of the Past: Discovering the 62nd and 65th United States Colored Infantry," St. Louis African-American Genealogical Society, Missouri History Museum (2014).
"Seeing the Forest for the Trees: Exploring the Performativity of the African Grove Theatre as a Revolutionary Theatrical Public Space." SETC Theatre Symposium, Decatur, GA (2015).
Certified Stage Combatant
Black Theatre Network
African-American Playwrights Exchange
National Black Theatre Festival
Beverly Hills/Hollywood NAACP Theatre Festival (2009 & 2010)
Catholic University of America National Religious One-Act Play winner, Sandtown. (2004)
R. Joyce Whitley ArenaFest for New Plays: Johnnie Taylor is Gone and A Colored Funeral. (2005 and 2007)
Shaw Park Neighborhood Block Grant Recipient for Community Service (2005).
Beverly Hills/Hollywood NAACP 19th Annual Theatre Festival: The Pen is Mightier (2009).
Beverly Hills/Hollywood NAACP 19th Annual Theatre Festival: Cognitive Dissonance (2010).